Photographic Print Making

Bob Carnie

Bob Carnie, whose brick-and-mortar studio and gallery are located at the centre of the art district of Toronto, also mentors those interested produce prints. He provides expertise which includes photo printing, framing, and archiving negatives.

The attached gallery is a non-representational gallery that displays the work of artists he has enjoyed and supported. His particular interest is gum over palladium prints. These prints are hand coated onto artist-quality rag paper, and the image sits within the fibre of the paper, giving them an inner glow that is not obvious in other printing methods. Then a gum layer is added to the print, increasing contrast, depth and colour. He suggests it is a similar process to what Edward Steichen used when printing his photograph The Pond – Moonlight (1904).

As you can see on his website, he uses several other printing methods, including jet ink pigment prints and silver gelatin.

Bill Schwab, North Light Photographic Workshops

Bill Schwab, runs North Light Photographic Workshops in northern Michigan. He has posted many YouTube instructional videos on creating digital negatives, palladium prints, and wet plate collodion. He also runs on-site workshops and conducts photo tours.

Ken G. Miner

Ken Miner, whose studio is located in Victoria, BC, works with handmade wet collodion photographs and Tintypes & Ambrotypes. He does conduct individual workshops in the wet plate process, and film developing & printing on request and frequently does group wet plate workshops.

Christina Z. Anderson

Christina Z Anderson is another experimental photographer who has produced gum, salt, cyanotype, and other alternative photographic processes. She is a professor at Montana State University and does workshops all over the United States and Europe.

Photopolymer Photogravure – Silvi Glattauer

Silvi uses a photopolymer to create a photographic print from a plate or a photo intaglio print. The photopolymer plate is created using an Epson jet ink printer, bypassing the need for etching acids and complex resists on a metal plate. It goes directly from the printer to a UV lamp, and it is then developed in water before being inked and run through a press.

Kris Bochenek on Salt Prints

Ian Worth Platinum Palladium Prints

References